Spring is here, and it gives me room to breathe—to relax, to take in the fresh air.
Lately, I’ve been thinking about the human condition, about the state of human affairs. I can feel it in my poetry too—a shift. Toward control. Or maybe toward abstraction. I’m not entirely sure which.
I entered 2025 with 64 almost-complete manuscripts, written between 2018 and 2024. It should feel like a triumph—a journey nearing its end—but I find myself hesitating.
At the end of 2024, when resolution season came, I promised I would publish them all quickly. I didn’t. At first, I thought it was perfectionism.
But is it?
When I finished The Seer, I refused to edit it. I published it exactly as it came—to prove something to myself. That a first draft can stand. That the raw form has its own truth.
So perhaps it’s not perfectionism after all.
With Orthodox Easter approaching, I find myself asking what my younger self would think of me now—of the goals I chase, of the life I am building.
I used to love Christian holidays. Especially Easter. Especially Christmas.
I remember my grandmother painting eggs—red, always red. I remember how we would crack them against each other, each of us trying to be the last one unbroken, claiming the others as trophies.
We watched films about Christ. It was part of it.
I still remember one night—people in the neighborhood gathered money to rent Jesus of Nazareth so all the children could watch it together. We sat outside, under the dark sky, and I can still hear the voice of an old woman beside us, cursing those who crucified Him as if it were happening in that very moment.
Easter wasn’t a date. It was an event.
It brought people together. It gave us something to wait for, something to share.
There was a natural gratitude then—not scheduled, not practiced, not forced.
People showed up for one another. They helped. They cared. Not because they had to—but because they had already decided to.
That was the result of real commitment.
Of intention.
Today, we schedule gratitude.
Back then, we lived it.
So I ask you—
What decisions are you making, day by day, to help the people around you?

The Mythical Poet (Al Konda) is a Romanian-English poet whose work unites form and fire. He writes in rhyme and symbolism, insisting that poetry must sing, speak, structure, symbolize, strike, and bring joy—the pillars of The Konda Principle, his philosophy of the art. Across 40+ books and countless performances, Al has cultivated a living, multimedia poetry: each poem arrives with a literary analysis, an essay for readers, a song or duet, and visual art bearing his sigil.
His mythic epic The Seer – Deluxe Edition rekindles the ancient vocation of the poet as seer; A Name I Never Spoke and Flame Without Shadow explore love, devotion, and inner transformation; ongoing daily releases blend classical poetics with modern production—YouTube premieres, blog essays, and social dialogues that invite audiences to sing the poem.
Al’s stance is clear: craft is not a cage but a sanctuary; beauty is not a costume but a covenant. In an age of noise and spectacle, The Mythical Poet offers disciplined music, moral clarity, and the courage to turn sorrow into song.
Discover more at alkonda.com · YouTube: @artistden2836 · Instagram: @autoralkonda · X: @konda_al.

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